Dear Creative #2

How much we value something corresponds to how much energy we give out. If we value our job, because it pays for the necessities in life we give it our energy. If we value a friend or family member we give energy to those people.

Right?

So, does that mean when we have been at work all day, and connected with the people in our lives the rest of our energy is put into scrolling, eating badly, binge watching Netflix… and so on.

What is happening?

We know we value aspects of our lives. For example, if I asked you to create a list of the most valuable parts of your life you would probably start with people you love and then move onto passions and pastimes that bring you joy.

Raglan, New Zealand

What’s never on the list, but in my mind should be at the top, is YOU. Not what you like to ‘do’, just YOU. So, my list, for example, of aspects in my life that I most value should look something like:

  • Julia
  • People in my life I care for
  • Creativity
  • Spending time in nature
  • Work

Just an example, but I’ve never written a list that starts with ‘me’ and I can confidently assume you don’t normally think of valuing yourself first in this way either. I mean we all know the metaphor about putting the oxygen mask on ourselves first before we help others. And, most of us acknowledge that we are important- but have we ever committed to actually prioritising ourselves in a way that firmly places us first.

It seems selfish. Maybe if we did that we won’t be able to serve others. Maybe we will end up completely narcissistic???

I don’t think so. Actually the opposite will happen. I dare you to add up all the scrolling time you engage in within a week and spend half of that time on you. Meditating, eating well, reading… whatever it is that creates a connection with yourself.

Value yourself. Make yourself top priority. See what happens.

Catch you next time xx

What I’m making in Lockdown

Kia ora, welcome, I hope you are all well.

I just want to share with you what I’ve been creating over the last few weeks. It is not something I have done before, so it is a good challenge while we are in lock down in Tamaki Makaurau, Auckland. I have made short films before, experimental films, short documentaries, but I’ve never made a poetry film.

Poetry films have become quite popular, especially on YouTube and there are also film festivals world wide that only screen this genre. The Zebra Poetry Film Festival is one that comes to mind. Go and check out some of the films they have on their site – they are amazing!!

I love how language and visuals have to circle around each other, and there are so many interpretations and areas you could go down. Interpreting poetry has endless possibilities. I have documented my process in making my poetry film on my YouTube Channel, (which I have only just started this year).

Hopefully I will have it finished over the next couple of weeks. It was a struggle to come up with visuals to connect with the poem at first, but I’m now moving steadily forward.

I’ve been mainly looking at the natural landscape around me and colour, especially using colour in paints. Still got a bit of testing and work to go, however I’m loving the process. It’s good to be actively creating in a number of mediums at the moment. Trying to keep my creative muscle flexible and resilient, especially in the times we are living.

“You can’t use up creativity. The more you use the more you have.” 

Maya Angelou

Love this quote, I think I sometimes fall into this idea that if I put my creative energy into a project I wont have any worthwhile ideas for another project, but of course that is not the case. The more I make, the more creative energy I have.

I will link to the final film when it is up on YouTube, but just wanted to let you know what I’ve been creating lately.

Let me know how your own creativity is going…. or not going. Catch you next time

Juby xx

How you value YOUR creativity.

Standing at the display I see a number of branded tubes of paint. I’m looking for black. It’s a colour I use a lot and my small one has run out. There are a few options available. A couple of tubes priced around $8, (just the very small tubes), and one brand I haven’t seen before that is $4. I have enough money to purchase either.

I sway.

I tell myself the better quality will be the higher price, “You get what you pay for”. but then $4… So, I take the cheap one.

And, guess what? “You get what you pay for”.

The paint has no coverage, I can’t get a good black no matter how hard I try. Finally I mix it with a good quality dark blue, and I get a somewhat useable blue-black.

So, why?

Why did I not spend the extra $$? I would spend that on a coffee without even thinking about it. So why be a miser to my own creativity?

This made me realise a few things:

  • I tend not to spend on myself believing I’m not really worth it?
  • I don’t VALUE my creativity like I want to.

I’m just beginning on my journey into painting. I have done bits and pieces in the past but this time I want to take it a lot more seriously. But looking back, I’ve been a miser to myself in other areas of my creative endeavours. I hold myself back in this area. I, possibly, don’t fully value the investment I am making – I still think it as being selfish.

Or maybe it is how I see money? Do I see it in a positive or negative light? Are there issues I have around money that I haven’t let myself look at? Do I have/need to be the “struggling artist?” Do I think money is for security and creativity is somewhat lesser in value??

I don’t have any fast answers. But next time I’M GONNA BLOODY WELL BUY THE PAINT I WANT!!!

Maybe I just have to force myself to do that until I change my perception of self-value. I’d love to know your thoughts on this. Do you do this too?

Any feedback or advice would be most appreciated. I’m feeling like a lost artist, but one with determination.

Hope you are well. Catch you next time xx

2021 – Art in Process: Leading the Blind

If I were blind I’d rather have another blind person leading me around because they know what I’m dealing with and they’re experiencing the same things. 

Augusten Burroughs

Been a while since I wrote a post, so a bit of a catch-up needed. I started my residency at RM Gallery a couple of weeks ago. My experimental film idea is making huge leaps and bounds now that I have more time to put into it. The space itself is peaceful to work in and the city vibe outside the door keeps my interests up.

At the same time though life has been particularly stressful. Not the art making – but everything else. And I think that is why I haven’t posted a lot. I did a YouTube clip about mental health and creativity, which I will link here. This kinda sums up how I’ve been. Very up and down, and just taking one day at a time.

What I want to briefly discuss in this weeks post is ‘process-led creativity.’ The process of this particular project has led the work and is leading the work. I did not, have not, and still do not know the exact outcome, instead I’m letting the process take me into the unknown.

Every creative project is different, every creative journey unique. I usually make work where I do know the outcome, for example; I am writing a web series, or I am painting a landscape… So letting the process lead is extremely challenging. When I began I looked towards nature to find and create the structure of the work, and somehow that process led me into ‘nurture’ – as in nurture vs nature, which I would have never imagined. So the content and themes are much more about nurture, and if it does finish as an experimental film, the viewer may never guess that nature had a part, so my creativity around being inspired by nature to create structure is somewhat hidden.

But, if we think of buildings, foundations and footings probably aren’t the first things you think about. I’ve spent time looking at patterns in nature to be inspired to create a structure but then moved onto thinking about nurture for the content. It seems understandable, but I didn’t know this when I started.

I would say not to be afraid to take this approach, but be prepared for radical shifts to happen. You will probably have a starting point but then allow the process to lead. You will get to the end – just not one you imagined at the beginning.

It’s a bit like writing a novel without chapter planning. It’s not for everyone – but it’s a hell-of-a-ride.

Catch you next time xx

2021 Art in Process: Is it too late?

Is it too late? Am I too old? Am I too young? Do I know enough about this topic? Do I have enough experience? Am I too jaded? What will people think? What will my family think? I can’t start something new now! How do I start? There are already so many people doing it. There’s so many talented people out there. No one would care about it. People will think it’s stupid…

And on and on it goes. You know what I’m talking about.

What the hell! Really? Stop it! How on earth can you let creativity be part of your life if you are starting on this note?

It’s not too late. Your not too young or too old. And experience comes with doing, so if you want it, you have to do it. You are your best friend, you are your own ally. Creativity isn’t for those ‘arty’ ones, it’s for everyone.

I’ve been creating stuff… songs, poetry, films for over 2 decades for myself and professionally and I still have all those insecure thoughts. I still get nervous and doubt myself, we all do, it’s not just you. I don’t know anyone that doesn’t. But those people who can get past the thoughts and push through are the ones that achieve some sort of creative progress.

I went to an abstract painting class for the first time – this is not great art, it’s me making creative progress.

Thoughts really get in the way. But they’re just thoughts. Yep, just thoughts. Say it 10 times. They’re just thoughts.

Ask yourself, what is the worse thing that could happen if I take that pottery class, or learn photoshop skills online? You could find that it’s not for you, OR you could find some joy.

I’ve gone through the creative process a few times now, and if something is nerve racking I’m probably on the right path. Creativity isn’t cookie cutter, it’s part exploration part expression; it opens us up to see the world differently. It gives us confidence to fail and succeed- both as important as the other.

So don’t believe those thoughts of yours because they’re just thoughts.

Catch you next time xx.

2021 Art in Process: Validation

Hello everyone, I hope you are all well. I’ve been thinking a lot about validation recently and because of this thought it would be a good time to write about it. I’ve been thinking about it because I’ve realised that even though I paint, and write poetry I am very unsure of myself in these areas because I have had little or no training, and I’ve never been involved professionally in them.

At the moment, if you have been reading the ‘Art in Process’ posts, you will know that I’m working towards a residency at RM Gallery where I will be making an experimental film. The process of making this film has been hugely challenging, however I find myself confident even when I’m unsure about this new method of ‘making’. I think this is mainly due to the fact that I’ve been involved in creating moving image for quite some time both commercially and artistically. I feel like I don’t need validation to continue on, I’m confident in the process and confident in myself when it comes to this type of creativity.

So, does experience and training validate creativity? Good question.

Validation stems from the term ‘valid’. The original French ‘valide’ was to do with the law – having something legally binding. However the Latin term ‘validus’ seems more likely to be what I’m getting at; ‘validus’ means strong, powerful, active. The Proto-Indio-European root word is ‘wal’: to be strong, “sufficiently to be supported by facts or authority, well-grounded.”

There is a lot here to unpack, especially when creativity and the act of an individual creating is completely personal. I love this quote:

“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique.”

Martha Graham

Could the validation then be OF and FROM ourselves. OF expresses the relationship between artist and work. ‘The work OF you’. FROM expresses that you are the source. If we are unique as Graham suggests then the validation is supported by the fact – the work is ‘OF and FROM us’. We can be strong, powerful and active knowing that only we could ever make this exact piece. Our validation is already in the work.

So, even though we may not have experience or training – validation is already part of our uniqueness – and we can’t take our uniqueness out of our creativity.

Hope you have a great week. Catch you next time xx